THE RUSSELL CAMERA
Russell Camera Inc., New York 1918 - 1921
Apparently (or possibly) unnamed at the time, The Russell Camera was introduced in
the March 9, 1918 issue of Moving
Picture World. This recently
discovered article sheds more light into the origins of this short-lived
camera, its operation and its name:
From The Moving Picture World, March 9, 1918
This professional 35mm motion picture camera was
conceived and built by New York machinist George R. Stringham.
The article above states that Stringham "of the
Motion Picture Specialty Company, 607 West 43rd Street, New York, has presented
a new model of professional camera containing many features which are not
usually found in the present professional models on the market." R.L. Polk's 1915 Trow New York
Copartnership and Corporation Directory, Boroughs of Manhattan and Bronx,
Volume 63 for the Year Commencing September 1, lists the "Motion Picture Specialty Corporation,
(N.Y.) Thos. Russell Brown Pres, Hy R. Johnston Treas. Capital $10,000 Directors: Thos. Russell Brown, Jas. S.
Brown, Jr., Hy R. Johnston 607 W. 43rd". This seems to suggest the camera
was named for the company's president Thomas Russell Brown, that the Motion Picture Specialty Company (or
Corporation) may have been the financial backer and that George Stringham as
the designer and machinist was the technical end of the enterprise.
The Motion Picture Specialty Corporation is listed in
1918 as advertising films in R.L. Polk
& Co.'s Trow General Directory of New York City Embracing the Boroughs of
Manhattan and the Bronx, 1918, Volume 131. Per R.L.
Polk & Co.'s Trow General Directory of New York City Embracing the Boroughs
of Manhattan and the Bronx, 1920-1921, Volume 132, the Motion Picture
Specialty Corporation is no longer listed.
So far, no listings have been found for Russell Camera Inc.
The Motion Picture Specialty Company is believed to have
preceded Russell Camera Inc., based on the 1920's patent dates molded into the
casing of the camera featured here.
Photos of the first Russell Camera shown in the article reflect the
essence of the camera's design. But it differs both cosmetically and mechanically
on a few points from the later example featured here. Readily apparent is the
outer casing, appearing to lack the molded patterns seen on the later model,
the strap-style door hinges versus the later piano-style and the engine-turned
magazine compartments that now exhibit an etched-line pattern. Also, the photo
of the right side film magazine compartment has what appears to be numerous
holes revealing the interior mechanism. If they were indeed openings, they no
longer appear on the later model seen here, replaced by a solid plate. The
article also indicated a forthcoming improvement to the next model, wherein the
film could be slid aside internally at the gate, being replaced by a section of
ground glass. This would permit fine focusing in low light conditions without
having to open the camera's casing. The later Russell Camera shown here has
this feature, which swings the film away from the gate 90 degrees, allowing the
ground glass focusing frame to swing into position. The article also states the camera's magazines and casing as being
constructed of Bakelite or a Bakelite composite. Until now, the few references found for the
Russell indicate it was constructed of Condensite.
Moving
Picture Age, Volume IV, No. 5, May, 1921, has a brief article
on the Russell Camera titled "New Camera Claims Many Advantages":
From Moving Picture
Age, Volume IV, No. 5, May, 1921
The camera shown here with a 400-foot capacity coaxial
magazine was manufactured by Russell Camera Inc., New York, probably between
mid-to-late 1918 and 1921. This is based
upon its known introduction, its patents and the few references and
advertisements found. The camera's
functional design is similar to that of the Debrie Parvo and Wilart's coaxial
magazine camera of the 1919-1922 period.
For more information on this Wilart, look under the "Cinematography" section of this website.
The full extent of the Motion Picture Specialty Company's
involvement in the Russell, and George Stringham's relationship with the
company over the course of camera's timeline unknown. But in whatever capacity,
it appears that Stringham was manufacturing and marketing the camera from the
onset. This is alluded to in the article above from March 9, 1918, noting that
Stringham could outfit the camera with any device desired by the cameraman and
that the camera was "tailor-made" since the shop's limited facilities
only permitted them to be made on special order. By the time the Russell was introduced,
Stringham was already known for repairing and modifying motion picture cameras,
and his name has been found on other camera components.
Other than the introductory article at top, the earliest
reference I've found for the Russell Motion Picture Camera is an advertisement
for "George R. Stringham, Precision Machinist, 47 West 42nd Street, New
York", in Cinema News, Volume 3,
Issue No. 2 for May 1919. The
ad states "The Russell Motion Picture Camera Demonstrated":
Per references found describing the camera, the Russell also
featured a recessed taking lens, through-the-lens focusing, a retractable
crank, a dissolving shutter adjustable for any angle between 170-0 degrees and
a unique outer case and film magazines constructed of Condensite. Condensite was a phenolic resin developed by
Thomas Edison's chief chemist J.W. Aylesworth in 1912. Along with Dyer and Kirk Brown, Aylesworth
established the Condensite Company which merged with two other entities to form
the Bakelite Corporation in 1922.
Condensite (or Bakelite), incorporated for its durability and to lighten
weight, further enhanced the Russell's compactness at 9-1/2" tall,
7-7/8" wide and 11-1/8" long.
The camera's weight of 20 lbs. when loaded with a 400-foot roll of film,
compared favorably to the Mitchell Standard and the Bell & Howell 2709,
both of which weighed approximately 27 to 29 lbs. unloaded.
The camera itself is labeled "Russell Camera, Inc.,
New York", citing three patent dates, with other patents pending:
These dates referenced three existing patents, and a
fourth patent was uncovered. All were
granted to George R. Stringham for the Russell Camera's design:
March
16, 1920 (Patent No. 1,334,057)
Source: Google Patents
August
24, 1920 (Patent No. 1,350,683)
Source: Google Patents
December
14, 1920 (Patent No. 1,362,199)
Source: Google Patents
Research revealed a fourth patent:
December
28, 1920 (Patent No. 1,363,822)
Source: Google Patents
The first patent was assigned to Theo B. Lyon,
Mamaroneck, New York and W. Wallace Lyon, White Plains, New York, Trustee. The last three patents were assigned to
Martin V. Kelley, Trustee, New York.
Research has yet to determine the business entity(s) these individuals
and trustees were related to, or their relationship to George R. Stringham.
The Transactions
of the Society of Motion Picture Engineers, Volume Eight, April 14-16, 1919,
Philadelphia, describes the Russell Camera and its operation in
detail. Based on this, and the article
of introduction at top, the Russell was being manufactured prior to issuance of
the known patents. Russell Camera Inc. is also listed in the Editor and Publisher for December 4, 1920.
The camera and its operation are outlined in The Cinema Handbook by Austin Celestin
Lescarboura for 1921:
The Russell shown here is equipped with an F3.5 Goerz
Hypar lens believed original to the camera, a veeder (footage) counter, four film
magazines, its back focusing viewing tube, a Newton-style viewfinder and its
original crank and strap. Opening the
film magazine compartments and the rear access door, reveals the etched and
engine-turned finishes that enhance the camera's appearance and reflect the
pride in its manufacture.
I'm yet to determine its purchase price, but it's safe to
say the Russell had stiff competition from well established camera makers and
other upstarts of the period. The Mitchell Standard 35mm was rather expensive,
being introduced around 1920. However, Bell & Howell's 2709 had already
been in production for some six years prior and could readily be found on the
used market at a somewhat more reasonable price. Although not sharing identical features
across the board, other cameras such as the Universal and the Parvo provided
major competition during this era. Despite the camera's innovative features and
construction, the Russell quickly came and went.
Although this is the only example I've ever encountered,
a few may reside in museums or other private collections, and there's probably
a few others yet to be discovered. Being produced for maybe three or four years
on a special order basis, relatively few cameras were ever built.
As early 35mm motion picture cameras go, the Russell can
easily be considered very rare.